In the NY Times….
In the NY Times….
FRAC Centre Orléans 02.12.2011-19.02.2012 A project by Gramazio & Kohler and Raffaello d’Andrea in cooperation with ETH Zurich
3D-printed spider robot skitters where humans can’t “Roboticists from German research group Fraunhofer-Gesellschaft have used a 3D printing process to create a terrifying spider-like octoped that skitters over hurdles and jumps over gaps.”
http://www.good.is/post/carbon-nanotubes-will-make-buildings-that-move/
Synthetic Biology explained
What can a stadium be used for once it no longer is a venue to watch sports or other forms of entertainment? Can it serve as a community center for the future providing a central gathering space to buy, sell, and socialize? Can ti serve as a community garden?
http://www.dezeen.com/2011/10/17/passing-cloud-by-tiago-barros/ If you’re not worried about where you go or how fast you get there, this enormous inflatable cloud is the mode of transport for you. Predominant winds would determine the routes and speed of the hovering cloud, which would move from place to place without any fixed destinations. Passengers would board the cloud […]
by Rafael Lozano-Hemmer “Visible over a 15-Km radius, Articulated Intersect is meant to amplify participation to an urban scale, creating personalized light sculptures that segment the sky. Inspired by Argentinean Gyula Kosice and Brazilian Lygia Clark’s articulated sculptures from the 40s to 60s this project seeks to create intimacy and complicity in a constantly unfolding […]
“Andreas Raptopoulos wants drones to deliver our stuff. He’s the founder and CEO of Matternet, and he hopes to build networks for “micro-transportation” that will allow unmanned aerial vehicles to ferry all sorts of goods across long distances, especially in places where the roads either suck or are perpetually crammed full of commuters.” Read More […]
Link here. See “personal work”.
“As people walk around the room they see inside their shadow the live and recorded image of other visitors, while their own image is recorded for live or delayed playback inside the shadow of someone else. The piece includes high resolution surveillance cameras with face recognition and 3D tracking, turning the exhibition room into one […]
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